Memory in motion [electronic resource] : archives, technology, and the social / edited by Ina Blom, Trond Lundemo, and Eivind Røssaak.
How should we understand social memory in the age of new media? Classic sociology described the ways in which social memory was enacted through ritual, language art, architecture and institution - phenomena whose persistence over time and whose capacity for a shared storing of the past was contrasted with fleeting individual memory. Society is memory, Émile Durkheim stated. However, today's new time technologies compel us to rethink this concept of memory and its emphasis on a shared past. For in the age of digital computing, instant updating and transfer functions and interconnection through real time networks give an unprecedented priority to the present and the future, while challenging the very distinction between individual and collective memory. New media technologies raise the question of the temporalities of memory to a principle, challenging not just the classic description of social memory, but also the social ontology that it presupposes. 'Memory in Motion: Archives, Technology and the Social' discusses the new technologies of memory from perspectives that explicitly investigate their impact on the very conceptualization of the social.
Electronic resources
Record details
- ISBN: 9789048532063
- Physical Description: 1 online resource (331 pages) : illustrations
- Publisher: Amsterdam : Amsterdam University Press, [2017]
- Copyright: ©2017
Content descriptions
- Bibliography, etc. Note:
- Includes bibliographical references and index.
- Formatted Contents Note:
- Machine generated contents note: Oralities -- ch. One Èlectrified Voices': Non-Human Agencies of Socio-Cultural Memory / Wolfgang Ernst -- ch. Two Can Languages be Saved? Linguistic Heritage and the Moving Archive / Sonia Matos -- Softwares -- ch. Three Big Diff, Granularity, Incoherence, and Production in the Github Software Repository / Stuart Sharples -- ch. Four Post-Archival Constellation: The Archive under the Technical Conditions of Computational Media / David M. Berry -- Lives -- ch. Five Planetary Goodbyes: Post-History and Future Memories of an Ecological Past / Jussi Parikka -- ch. Six Video Water, Video Life, Videosociality / Ina Blom -- ch. Seven FileLife: Constant, Kurenniemi, and the Question of Living Archives / Eivind Røssaak -- Images -- ch. Eight Mapping the World: Les Archives de la Planete and the Mobilization of Memory / Trond Lundemo -- ch. Nine Stills from a Film That Was Never Made: Cinema, Gesture, Memory / Pasi Valiaho -- ch. Ten Archival Promise of the Biometric Passport / Liv Hausken -- Socialities -- ch. Eleven Neomonadology of Social (Memory) Production / Tiziana Terranova -- ch. Twelve On the Synthesis of Social Memories / Yuk Hui.
- Source of Description Note:
- Print version record.
Search for related items by subject
- Subject:
- Archives.
Collective memory.
Digital media > Social aspects.
Identity (Psychology) and mass media.
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Accessibility Features
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| 245 | 0 | 0. | ‡aMemory in motion ‡h[electronic resource] : ‡barchives, technology, and the social / ‡cedited by Ina Blom, Trond Lundemo, and Eivind Røssaak. |
| 246 | 3 | 0. | ‡aArchives, technology, and the social |
| 264 | 1. | ‡aAmsterdam : ‡bAmsterdam University Press, ‡c[2017] | |
| 264 | 4. | ‡c©2017 | |
| 300 | . | ‡a1 online resource (331 pages) : ‡billustrations | |
| 336 | . | ‡atext ‡btxt ‡2rdacontent | |
| 337 | . | ‡acomputer ‡bc ‡2rdamedia | |
| 338 | . | ‡aonline resource ‡bcr ‡2rdacarrier | |
| 490 | 1 | . | ‡aRecursions : theories of media, materiality, and cultural techniques |
| 504 | . | ‡aIncludes bibliographical references and index. | |
| 505 | 0 | 0. | ‡gMachine generated contents note: ‡tOralities -- ‡gch. One ‡tÈlectrified Voices': Non-Human Agencies of Socio-Cultural Memory / ‡rWolfgang Ernst -- ‡gch. Two ‡tCan Languages be Saved? Linguistic Heritage and the Moving Archive / ‡rSonia Matos -- ‡tSoftwares -- ‡gch. Three ‡tBig Diff, Granularity, Incoherence, and Production in the Github Software Repository / ‡rStuart Sharples -- ‡gch. Four ‡tPost-Archival Constellation: The Archive under the Technical Conditions of Computational Media / ‡rDavid M. Berry -- ‡tLives -- ‡gch. Five ‡tPlanetary Goodbyes: Post-History and Future Memories of an Ecological Past / ‡rJussi Parikka -- ‡gch. Six ‡tVideo Water, Video Life, Videosociality / ‡rIna Blom -- ‡gch. Seven ‡tFileLife: Constant, Kurenniemi, and the Question of Living Archives / ‡rEivind Røssaak -- ‡tImages -- ‡gch. Eight ‡tMapping the World: Les Archives de la Planete and the Mobilization of Memory / ‡rTrond Lundemo -- ‡gch. Nine ‡tStills from a Film That Was Never Made: Cinema, Gesture, Memory / ‡rPasi Valiaho -- ‡gch. Ten ‡tArchival Promise of the Biometric Passport / ‡rLiv Hausken -- ‡tSocialities -- ‡gch. Eleven ‡tNeomonadology of Social (Memory) Production / ‡rTiziana Terranova -- ‡gch. Twelve ‡tOn the Synthesis of Social Memories / ‡rYuk Hui. |
| 520 | 8 | . | ‡aHow should we understand social memory in the age of new media? Classic sociology described the ways in which social memory was enacted through ritual, language art, architecture and institution - phenomena whose persistence over time and whose capacity for a shared storing of the past was contrasted with fleeting individual memory. Society is memory, Émile Durkheim stated. However, today's new time technologies compel us to rethink this concept of memory and its emphasis on a shared past. For in the age of digital computing, instant updating and transfer functions and interconnection through real time networks give an unprecedented priority to the present and the future, while challenging the very distinction between individual and collective memory. New media technologies raise the question of the temporalities of memory to a principle, challenging not just the classic description of social memory, but also the social ontology that it presupposes. 'Memory in Motion: Archives, Technology and the Social' discusses the new technologies of memory from perspectives that explicitly investigate their impact on the very conceptualization of the social. |
| 588 | 0 | . | ‡aPrint version record. |
| 650 | 0. | ‡aArchives. ‡0(CARDINAL)229933 | |
| 650 | 0. | ‡aCollective memory. ‡0(CARDINAL)290394 | |
| 650 | 0. | ‡aDigital media ‡xSocial aspects. ‡0(CARDINAL)449638 | |
| 650 | 0. | ‡aIdentity (Psychology) and mass media. | |
| 700 | 1 | . | ‡aBlom, Ina, ‡eeditor. ‡0(CARDINAL)865271 |
| 700 | 1 | . | ‡aLundemo, Trond, ‡eeditor. |
| 700 | 1 | . | ‡aRøssaak, Eivind, ‡eeditor. |
| 773 | 0 | . | ‡tBooks at JSTOR: Open Access. ‡dJSTOR |
| 830 | 0. | ‡aRecursions: theories of media, materiality, and cultural techniques. | |
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