Formatted Contents Note: |
Machine generated contents note: I. Navigating the Archive -- Archives and Archaeologies: The Place of Non-Fiction Film in Contemporary Media / Thomas Elsaesser -- Record, Rhetoric, Rationalization: Industrial Organization and Film / Patrick Vonderau / Vinzenz Hediger -- Vernacular Archiving: An Interview with Rick Prelinger / Patrick Vonderau -- II. Visuality and Efficiency -- Early Industrial Moving Pictures in Germany / Martin Loiperdinger -- Layers of Cheese: Generic Overlap in Early Non-Fiction Films on Production Processes / Eef Masson / Frank Kessler -- Images of Efficiency: The Films of Frank B. Gilbreth / Scott Curtis -- "What Hollywood Is to America, the Corporate Film Is to Switzerland": Remarks on Industrial Film as Utility Film / Yvonne Zimmermann -- Poussieres: Writing the Real vs. the Documentary Real / Gerard Leblanc -- Thermodynamic Kitsch: Computing in German Industrial Films, 1928/1963 / Vinzenz Hediger -- III. Films and Factories -- Touring as a Cultural Technique: Visitor Films and Autostadt Wolfsburg / Patrick Vonderau -- Corporate Films of Industrial Work: Renault (1916-1939) / Alain P. Michel -- Filming Work on Behalf of the Automobile Firm: The Case of Renault (1950-2002) / Gwenaele Rot / Nicolas Hatzfeld / Alain P. Michel -- Eccentricity, Education and the Evolution of Corporate Speech: Jam Handy and His Organization / Rick Prelinger -- Centron, an Industrial/Educational Film Studio, 1947-1981: A Microhistory / Faye E. Riley -- Films from Beyond the Well: A Historical Overview of Shell Films 243 / Rudmer Canjels -- IV. See, Learn, Control -- Personnel Is Political: Voice and Citizenship in Affirmative-Action Videos in the Bell System, 1970-1984 / Heide Solbrig -- Behaviorism, Animation, and Effective Cinema: The McGraw-Hill INDUSTRIAL MANAGEMENT Film Series and the Visual Culture of Management / Ramon Reichert. |